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The full abstract for this thesis is available in the body of the thesis, and will be available when the embargo expires.
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The full abstract for this thesis is available in the body of the thesis, and will be available when the embargo expires.
Data Types:
  • Other
The full abstract for this thesis is available in the body of the thesis, and will be available when the embargo expires.
Data Types:
  • Document
The full abstract for this thesis is available in the body of the thesis, and will be available when the embargo expires.
Data Types:
  • Document
Titelei...1-5 Inhalt / Table des matières...2-3 Vorwort des Direktors / Le mot du directeur...4-17 Im Fokus: »Auctorialité« / À la loupe: »Auctorialité«...18-26 Die Projekte der Stipendiatinnen und Stipendiaten / Présentation des projets des boursiers...28 Interregnum: künstlerische Praktiken der unmittelbaren Nachkriegszeit in Ost- und Westeuropa / Interrègne : pratiques artistiques de l’aprèsguerre immédiat dans l’Europe de l’Est et de l’Ouest...29 Das Außen in der Repräsentation / L’extérieur dans la représentation...30 »Carrefour artistique du monde«? / «Carrefour artistique du monde»?...31 Vernetzungen, Zusammenarbeiten und Kopien: der Handel mit Druckgrafiken in Paris und seine Verbindungen zu den Niederlanden (Flandern und die Vereinigten Provinzen), 1600–1650 / Réseaux, collaborations et copies : le commerce de l’estampe à Paris et ses liens avec les Pays-Bas (Flandres et Provinces-Unies), 1600–1650...32 Die Erwerbungen der Berliner Museen auf dem Pariser Kunstmarkt während der Besatzungszeit / Les acquisitions des musées berlinois sur le marché de l’art parisien pendant l’Occupation...33 Schmücken in der Werkstatt: die Maureske und die Verzierungspraktiken in Frankreich zur Zeit der Renaissance / Orner dans l’atelier : la moresque et les pratiques ornementales en France à la Renaissance...34 Forschungsprojekte / Projets de recherche...36-37 'Kunsthistorische Objektwissenschaft' / 'L’art des objets. Histoire et anthropologie'...38-39 'Wissenschaftliche Bearbeitung des Palais Beauharnais, Residenz der deutschen Botschafter/-innen in Paris' / 'Recherches scientifiques sur l’hôtel de Beauharnais, résidence de l’ambassadeur d’Allemagne à Paris'...40-45 Sammeln im 18. Jahrhundert – zur Archäologie einer perfekten Sammlung / Collectionner au XVIIIe siècle – Archéologie d’une collection parfaite...46-47 ARCHITRAVE – 'Kunst und Architektur in Paris und Versailles im Spiegel deutscher Reiseberichte des Barock' / ARCHITRAVE – 'Art et architecture à Paris et Versailles dans les récits de voyageurs allemands à l’époque baroque'...48-49 Travelling Art Histories...50-51 'Paris – Pindorama'...52-53 'Der Surrealismus und das Geld' / 'Le surréalisme et l’argent'...54-55 'Zwischen Kunst, Wissenschaft und Besatzungspolitik' / 'Entre art, science et politique d’occupation'...56-57 'Für eine Geschichte der künstlerischen Beziehungen zwischen Ost und West in Europa während des Kalten Krieges' / 'Pour une histoire des relations artistiques entre l’Est et l’Ouest en Europe pendant la guerre froide'...58-59 » Die Stadt von morgen« in der DDR? / «La ville de demain» en RDA?...60-61 'Begegnungen der Wirklichkeit – Wirklichkeit der Begegnungen' / 'Rencontres de la réalité – Réalité des rencontres'...62-63 Wissenschaftlerinnen und Wissenschaftler des Dfk Paris / Chercheurs du Dfk Paris...64-71 Bibliothek / Bibliothèque...72-75 Arts, Power, and Politics. Bericht über das Spring Seminar für junge chinesische Kunsthistoriker/-innen am DFK Paris, 13.–31. Mai 2019 / 'Rapport sur le Spring Seminar destiné à de jeunes historiens d’art chinois au DFK Paris, 13–31 mai 2019'...76-79 Digital Humanities / Humanités numériques...80-83 Alumni-Gespräch / Paroles d’anciens...84-85 Forschungsförderung / Jeunes chercheurs...86-95 Veröffentlichungen / Publications...96-101 Veranstaltungskalender / Calendrier des activités...102-103 Mitarbeiterinnen und Mitarbeiter / Équipe...104-107 Bibliografien der Wissenschaftlerinnen und Wissenschaftler / Publications des chercheurs...108-111 Vorträge der Wissenschaftlerinnen und Wissenschaftler / Conférences des chercheurs...112-116 Lehre der Wissenschaftlerinnen und Wissenschaftler / Enseignement des chercheurs...118-119 Impressum / Mentions légales
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Data Types:
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For modeling count time series data, one class of models is generalized integer autoregressive of order p based on thinning operators. It is shown how numerical maximum likelihood estimation is possible by inverting the probability generating function of the conditional distribution of an observation given the past p observations. Two data examples are included and show that thinning operators based on compounding can substantially improve the model fit compared with the commonly used binomial thinning operator.
Data Types:
  • Document
This series of stone statues of buddhas, dated 1085 (Song 宋 Dynasty), is located on the northern side of the Hall of Stone Buddha in Linqü (臨朐), Shandong Province. Images 1- 11 each shows a niche that contains or used to contain a Buddha statue. Most of the statues are badly weathered except the statue in image 4. 1. In the first image, the buddha statue is badly weathered. Part of the head is missing, and the style of the clothing has worn away. The size of the buddha is 26cm (H) x 19cm (W). The size of the niche is 35cm (H) x 34cm (W). [1] 2. The buddhist statue, especially the upper half of the body, is badly weathered, and only some clothing in the lower half remain. The size of the buddha is 27cm (H) x 24cm (W). The size of the niche is 39cm (H) x 30cm (W). [2] 3. The buddhist statue is badly weathered. Part of the head is missing, only some clothing below the waist remain. The size of the buddha is 27cm (H) x 21cm (W). The niche's size is 41cm (H) x 32cm (W). [3] 4. The buddha is relatively complete, only the face is weathered. The clothing pattern remains clear and the dragon embroidery is visible. The size of the buddha is 33cm (H) x 21cm (W). The niche's size is 50cm (H) x 34cm (W). [4] 5. The buddha statue is badly weathered. Both the face and clothing are beyond recognition. The inscribing, if any, is illegible -- only some blurry traces remain. The size of the buddha is 28cm (H) x 23cm (W). The niche's size is 43cm (H) x 32cm (W). [5] 6. The buddha statue is badly weathered. The face is missing, and only the style of clothing of the left lower part is complete. The size of the buddha statue is 32cm (H) x 23cm (W). The size of the niche is 43cm (H) x 37cm (W). [6] 7. The buddha's face is badly weathered, but the body and style of clothing are complete. The size of the buddha is 36cm (H) x 18cm (W). The size of the niche is 51cm (H) x 28cm (W). [7] 8. The statue is badly weathered. This figure might be the donor. The face is blurry, but other features are complete. The two statues of attendants flanking on the left and right sides are also weathered, but the body shape is still recognizable. The size of the main statue: 90cm (H) x 60cm (W). The size of the left statue: 33cm (H) x 21cm (W). The size of the left statue 39cm (H) x 15cm (W). [8] 9. It was inscribed in the eighth year of Yuanfeng (元丰), and is weathered. Only the year and several other characters are recognizable. The size of the inscribing is 46cm (H) x 10cm (W). [9] 10. The buddha statue is badly weathered. Part of the head is missing, and only the style of clothing of the lower part of the body is intact. The size of the buddha statue is 37cm (H) x 23cm (w). The size of the remaining niche is 50cm (H) x 34cm (W). [10] 11. The buddha statue is badly weathered. The size of the buddha statue is 32cm (H) x 23cm (w). The size of the remaining niche is 40cm (H) x 57cm (W). [11]
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Bonner Jahrbücher, Bd. 215.2015(2016): Bonner Jahrbücher
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  • Document
Data Types:
  • Image